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Modern Art, Revised and Updated (3rd Edition)
Download PDF Modern Art, Revised and Updated (3rd Edition)
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Richly illustrated and clearly focused, this book surveys the genesis, development, and culmination of modern European/American painting, sculpture, architecture, and conceptual art—from Post-Impressionism through the most recent developments in the 1990s. It avoids the typical encyclopedic approach of surveys in favor of examining selected but highly representative works in greater depth and from an enlarged spectrum of critical discourse. Organized along chronological lines, topics explore the ideas, forms, events, artists, and works—with each chapter devoted to a style, movement, or decade—from Cézanne, Seurat, Gauguin, and Van Gogh through Minimalism and the general reaction known as Post-Modernism. Ideal for readers with a general interest in art.
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Product details
Paperback: 472 pages
Publisher: Pearson; 3 edition (August 30, 2004)
Language: English
ISBN-10: 0131895656
ISBN-13: 978-0131895652
Product Dimensions:
8.7 x 1 x 11.4 inches
Shipping Weight: 3.9 pounds (View shipping rates and policies)
Average Customer Review:
3.2 out of 5 stars
47 customer reviews
Amazon Best Sellers Rank:
#284,393 in Books (See Top 100 in Books)
The physical book, while a cheap feeling paperback, has absolutely stunning high quality images inside, some of the best reproductions I have ever seen in any art history text book; on par with a high end gallery catalogues actually. I really disliked the content of the book but was tempted to keep my copy simply because of the imagery, so if you are looking for a "show book" to take out as a pictorial reference/conversation starter then this book is fine. If you want to learn anything on the other hand I would recommend buying another book. The written content in this book is, for the most part, pompous and overly complicated and will have even the most astute reading passages two or three times to extract the actual information from the twisted web of flowery language and unnecessary words. The passages in this book are anything but concise, which is a pity because there really is a lot of good information in this book and many ideas that would be very intriguing if they were only more accessible. In fact, there were a few very good points in several discussions that were mentioned and then glossed over because the writer was clearly more concerned with "sounding" intelligent than actually discussing the movement at hand, which prompted me to go to another book to find out the rest of the story. To be fair, the themes and information contained in this text is not "simple" or clear cut by nature, it is after all still a Modern Art text, and will require a certain level of interest and thought to fully comprehend no matter how it is written, but there is a difference between thoughtfully illustrating a subject and convoluting a subject with non-value added verbiage. For a student just getting started with Modern Art, this book will be utterly useless and you will find yourself unnecessarily lost without a proper instructor. Even for someone who is accustomed to reading theoretical art books and familiar with all of the information presented in this text (like me), this book will be a great frustration, as you constantly find yourself turning to other references to get a clearer picture of basic facts or complete an idea haphazardly introduced in this text.
I rented this textbook for an art history class. It was one of the worst experiences of my academic life. I'll subtract from the equation the insane "instructor" and the complete lack of teaching that went into the endeavor, this was our sole resource for the course and it is HIDEOUS. First, it's filled with typos -- I accept typos in everyday life: texting, emails, no problem, but this is a printed -- 3RD EDITION, scholarly tome. Another reviewer called it "verbose" -- to say the least -- bombastic comes to mind. Why anyone would assign this textbook to students in an introductory art history class is questionable. Good luck. ;-(
If you have to use this book for your Modern Art course you should change classes or ask your professor if this book is really needed. You will gain nothing from this disorganized collection of thoughts. I would recommend that you research the artists online. A great resource is called The Art Story. Much more organized and much more informative.
This is definitely not a book for a beginning survey class. i literally never used it in my class, even though my teacher suggested it, and I passed the class with an A+. I cannot believe how atrociously written this book is. The language is inflated, flamboyant even. I read the first chapter of it when I began the semester and immediately knew it was going to collect dust in the corner of my room. It's a terrible choice. If you need to take a Modern art class and this is the book you need to get, please save yourself some money and RENT it, do not spend nearly 200 dollars. If I could tell myself this in the beginning of the semester, I would not have even rented it. It is such a joke and difficult to read. You're better of studying from the Internet on sites like Wikipedia or even YouTube. I recommend Smarthistory, they do an excellent job of going in depth on certain pieces while maintaining concise, clear language. steer clear from this book, it won't help you pass, it will only further confuse you. If I could rate 0 stars I would.
A very large and insightful text. I brought it for a class and it really paid off. I would recommend though you get the hardcover version if possible. It will be large enough and strong enough to bludgeon a man to death with. The paperback version though cheaper and just as insightful would not meet the weapon grade strength and weight needed to defend oneself or assault an annoying classmate with so 4 out of 5 stars
This book was assigned to me as a text for a class in art history. If you are looking for a modern art anthology, this is a book for you. There are loads of beautiful pictures chronicling the trends in western art and architecture from the impressionists through the 20th century. However, if you are a student looking for a straightforward, encyclopedic, factual and chronologic approach to the subject, be prepared for a struggle. The writing is surprising more literary than historical and flits from trends to styles, to various artists, and back. Granted, trends in "modern art" could no longer occur in isolation (as in the classical period through the 19th century), especially in the age of modern communication, TV, film, and computers. So we are left to the interpretations and opinions of art historians to fathom and expound upon the influences of this on that, of this artist on that artist, of this historical event on that choice of color, design, or material. The book is most enjoyable, as a sort of non-fictional novel. It's tough going for an art student.
Arrived not perfect
Typical college/university book. Lots of info.
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